Gude
Sofia · Bulgarian · 14 August 2026 · with Patso Dimitrov

overall
7.5/10
food
7.5/10
atmosphere
8/10
service
7/10
about the guide
Patso Dimitrov is a Bulgarian art director and graphic designer. He left Bulgaria at sixteen and spent years moving through seven countries before New York became home. Puma, Complex, the NBA, record labels, and artists: his work spans it all, and never under the same title twice. He made his name reworking hip-hop albums into vintage vinyl sleeves, complete with dust marks and label imprints, for artists who never lived through that era. Lately he's been chasing simpler. Plainer clothes, cleaner designs. Less is more, he says.
A friend brought Patso here the first time. He lives abroad and misses the food he grew up on, so Gude is where he eats when he is in Sofia. He compared it to sitting under the grape vines at his grandmother's house.
We started with the house salad. Bite-sized tomatoes and cucumbers, white cow cheese, whole peppers roasted and marinated in the kitchen. Patso kept using the word simple, and he meant it as praise. A scoop of Bulgarian curd cheese with parsley came on the same plate. It turned out to be what the tsiganska banitsa had been waiting for.
The hummus came on the recommendation of the friend who first brought Patso. Boyan, the owner, makes it himself, and Nedi told us no two batches taste alike. Ours had sumac in it, sharp against the nuttiness of the chickpeas.
Then the grill. Boneless pork ribs, nadenitsa, kebapcheta. The ribs and kebapcheta were tender, the meat fresh, from a butcher nearby. The nadenitsa was the best of the three. Whole chunks of meat still visible in the cut. The spicing was what separates these plates from other grills around. Each came with a roasted pepper and house potato chips under grated cheese. We ordered a second plate of the chips with sharena sol. A spice bomb.
Dessert was a plain chocolate cake, fudgy and dense without tipping sweet. Yet both of us wished for biskvitena cake, which would have closed the loop on the whole evening. We finished on something not on the menu at all. A smoky spoonful of baba ghanoush Nedi had made for the staff out of two eggplants Boyan carried in earlier that day.
Gude is nested behind the tracks of tram number five, at the roundabout where the trams used to turn before the new lines went in. Patso said it caught him off guard the first time, and I see why. No two plates match. No two forks match. The furniture comes from thrift stores, every table has its own potted plant, and the candles have been burning long enough to build wax down their own sides. Rustic, Patso called it. Even the water arrives in vintage glass bottles from a brand that stopped production years ago.
behind the door
Nedi runs the kitchen. Boyan owns the place and still makes the hummus himself. There has been a restaurant on this spot for close to ten years, though not always the same one. Nedi calls the kitchen a lab. He also calls Gude the cheapest restaurant in the neighbourhood where people can still feel they are eating somewhere five-star. He is currently working off an A4-sized balcony grill and a fryer he compares to the core of the earth, because the real grill is out for repair, and none of that has changed what leaves the kitchen. He said that if the world ended, someone would still take this space and turn it into a restaurant.
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